Sonically, the hall remains a gem.
Larry Fuschberg, Star Tribune.
Originally opened in 1974, Orchestra Hall’s acoustics whilst treasured by audiences, were troublesome onstage. In April 2010 the Minnesota Orchestra and KPMB Architects ...
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Wishing Bristol’s Colston Hall a Happy Birthday on it’s 150th anniversary! It has been and continues to be an important hub for music and social connection in Bristol and the Southwest. We are proud to be working as acousticians on the transformation project to set the course for the decades to come. www.colstonhall.org
Our mission is to bring people together through effective communication – of arts, emotion and information. We have an international track record of high quality performance and gathering spaces for music, opera, theatre and education, with work in commercial and institutional sectors as well.
With increasing workload we are looking for a bright, enthusiastic acoustics consultant with a solid grounding and interest in architectural acoustics and who wishes to make a difference in this world with acoustics, audio, music. We are considering candidates with 3+ years’ experience in building acoustics. Your position will be full time, and salary will be commensurate with experience.
You should have:
Master’s degree or better in acoustics.
Experience starting and completing building projects
Passion for making buildings work for people.
Formal drawing training and/or CAD skills would be helpful, but more important would be the ability and confidence to sketch your ideas and to quickly gain basic proficiency in Sketchup, Autocad, Rhino, Revit and related software.
Collaborative nature, and evidence to show for it.
Experience of music or theatre performance or production at a professional or serious amateur level.
Experience in construction or architecture a plus.
Experience in audio system design a plus.
Fluency in English. Plus a second language or considerable expertise in software development.
Communication skills – a good listener as well as a good speaker and writer.
Good references from clients and design collaborators.
Most of all, you must have a good ear. You must be able to discuss what you hear. You must be able to describe how the sound you hear is determined by the space.
Your work will include design and analysis of room acoustics, sound isolation and M&E noise control, working under the direction of senior staff, and contributing to holistic design of gathering spaces. You may develop new measurement protocols for spatial sound and software to advance role of aural/visual perception in designing for the built environment.
Our office location is in southwest London, and you will be based there. Travel nationally and internationally on projects ranging from a day to a week.
This summer the Kings Cross developer Argent staged three outstanding concerts at their music pavilion in Cubitt Square, just a few minutes’ walk north of the station. Classical music presenter Anthony Whitworth Jones asked Bob Essert to create an appropriate acoustical environment for these outdoor classical events, which were to use the temporary “Panarmonion” pavilion created last year by architect Lyn Atelier. Bob, Maria, Paul and Fabrizio of the SSV team devised a 2-part solution to create a warm ensemble acoustic on stage with a simple but effective sound reflecting shell and an electroacoustic enhancement system to surround the audience. We used off the shelf electronics and a few microphones and loudspeakers, which we tuned with care to create a sense of surround and envelopment, but not sounding amplified. The first concert by the London Sinfonietta playing wind ensemble music was well appreciated by both performers and audience. This adds to our experience with temporary and outdoor performance venues for classical music and the friendly accessibility of the Kings Cross cultural atmosphere. https://www.kingscross.co.uk/event/cubitt-sessions
SOUND SPACE DESIGN AND ANNE MINORS PERFORMANCE CONSULTANTS HAVE COMBINED TO FORM SOUND SPACE VISION
This move formalises our long standing working relationship and will broaden, strengthen and deepen our work within our specialist disciplines of acoustics and theatre planning.
The new combined Sound Space Vision team will build on our success in performing arts and arts education and will broaden our reach into the built environment by combining research with artistic interpretation.
From the beginning of 2016 Sound Space Vision will be working from a new, combined office close to our previous offices in Putney. Please visit our contact page for further details.
Sound Space Design are proud to have been acting as acoustic consultant on two RIBA award winning projects this year. Island Pavilion and Bridge, Wormsley with Robin Snell and Partners won in the south region category and follows in the success of the 2012 RIBA award winning Garsington Opera Pavilion also on the Wormsley Estate and in association with Robin Snell and Associates.
Yesterday the film world, benefactors and lovers of the arts gathered in their hundreds at Westminster Abbey to remember Oscar-winning director Richard Attenborough, who died last year aged 90.
Winner of two Oscars (in 1983 for best film and best director for the epic Ghandi, which he both produced and directed), six Baftas and four Golden Globes, Lord Attenborough was awarded the CBE in 1967, knighted in 1976, and made a life peer in 1993.
2015 also sees the opening of the long awaited Attenborough Centre for the Creative Arts at the University of Sussex, named in honour of the late Lord Attenborough.
Closed in 2007, this fascinating grade II listed building was designed by Sir Basil Spence with a visionary auditorium designed by Sean Kenny. When it re-opens later this year the Attenborough Centre will bring together researchers and students from drama, music, creative writing, media, cultural studies, art history, business studies, philosophy, cognitive science, design and engineering and form a focus for both the university campus and the wider community.
In the words of the University:
“The Centre will build on the legacy associated with Lord Attenborough of liberal values, radical action, empowerment, and a passion for the humanities animated through performance, film and media.”
Sound Space Design are honoured to be acoustics consultant for this exciting and challenging project.
This impressive video flythrough was rendered by F10 Studios.
Friends House, the headquarters for Quakers in Britain is now open following a £4.5 million refurbishment.
Together with architect John McAslan+Partners and Anne Minors Performance Consultants, Sound Space Design developed a refurbishment scheme for the Large Meeting House that better suits the needs of Quaker worship, conference and performance use while also improving accessibility and sustainability. A concept was developed which works closely with the existing architecture to integrate new and old in this Grade II listed building providing flexibility for a variety of uses from theatre, lecture, banqueting and cabaret through to an exhibition setting.
The acoustical design achieves good speech intelligibility within a difficult room geometry so one can clearly hear and be heard by everyone in the room. Sound isolation designed to mitigate traffice noise intrusion from Euston Road and rain noise on the feature rooflight were key aspects in the acoustical design.